a berlin based collective of music aficionados launch a limited and lovely 7inch platform for club-ready flipped classics. simple, effective floor food for all moods...tip

incl remixes by marcel dettmann, barnt, bejenec, mashkov, inga mauer

bass infused techno

pressed on 140 gram vinyl

mit tracks von minimal house über breakbeat bis hin zu drum and bass.

celebrating 25 years of hardcore junglist drum and bass

pfirter with an energy driven 5-tracker on andre kronerts odd even. pfiters lockstep drum patterns construct a hypnotic tale that reverberates with intense metallic synths into an expansive dark room sound with the endless ep. through my window starts with hollow syncopated bass driven by steady kicks. the low end and tight rhythm cause the synth pads to gasp for air in last breath. the repetitive chord stabs through the discordant ambiences while the percussion rumbles on with endless. certain is an expansive techno track that churns with machine-like precision. the chaotic synths and modulated metallic sounds hold ground with the hard kicks in release.

great deep house various artists ep incl. aleqs notal , meftah, taelue, afrikan sciences

joz from marseille has successfully find his way between different styles to create his very own sound.

coco bryce summons his chavinsky alias for a bass-heavy mystical journey through garage, house and 2-step with a sublime 5 track ep for distant horizons.

new label breaks n pieces drops some proper heavy ukg, breakbeat, bass & club fodder.

techno, breakbeat and bass music

with picture sleeve

remastered acid masterpiece, ltd max 1 per customer

from140, bass, dubstep, experimental to footwork

from bass , breakbeat to hardcore

drum and bass meets crosstown rebels

slamming trippin bass / uk garage

2020 repress on black vinyl.

trackmaster dre ode to the traditional squelching acid melting listful old school beats with grandmaster acid. the record contains decelerated beats married with laidback, thick and bubbly bass. the title track starts off as a raw and elastic dance floor mover, with a chamfer like 303 bassline that smooths out rougher edges. blockhead deuce is a simplistic track with shuffling drums that play with an impish bassline that squawks and squelches. old school viscid synths and bass keep an aloof feel with the progression in 4th.

creativity lies in various artistic factors based mainly on commitment and maturity that is acquired with it, each project is a decision that is forged with a cold mind and requires to be conceived at the right time, a waiting time between projection and execution, this is what presents us with dorhg on his new label atroc records, where he opens a catalog with the remixes of kalter ende & sarf, a 180g and twelve inches ltd vinyl, entitled “fixing process“. the path taken by dorhg with fixing process reveals his experience and vocation for dynamic, rhythmic, deep and syncopated structures, through icy and mental sequences, without leaving aside the physical and direct in his message. melting is the track that opens the release, it is bent to a deep bass sequence that reiterates its presence without variation, and although it acts as the central axis of the track, it is the percussive elements that are annexed in the background that give a certain energetic charge. indistinctly to the original version, kalter ende refuses to maintain this bass line and leads us to another character more dense and textured in his adaptation, but preserving the rhythmic nerve. coalescence occupies the b-side. with the original, dorhg repeats the formula in terms of intensity, this time it is different components that alternate protagonism in a linear work loaded with particles that go from maximum excitement to calm. on the other hand, sarf creates with his remix a solid, direct techno piece with several ingredients operating in a loop and a deep textured mattress that gradually varies in intensity.

limited & numbered edition of 1000 copies on clear double vinyl for rsd 2019. .. nice price

5 tracks from house to bass

breakbeat edits and sublime sub bass

this toronto based artist shows he masters the art of creating solid bass drums percussion, groovy baselines, keyboard and string lines that build up into perfect musical architecture that will rock any dance floor in the globe.

anselmo & benjamin deliver an ep with sexcation that follows the minimalist attitude that defines their sound, made up of groovy bass lines and samples that create an electric atmosphere that makes the dance-floor shake. on the remixes, furz lets his remix -clouds- of the track rain vibrate playfully. the ep is rounded off by montreal-based chicago artist billy dalessandro, who does an impressive nighttime remix of air.

dark techno and bass

various creatures of the native flora and fauna are interpreted musically on dominik eulbergs label apus apus. the music pieces are thoughtfully presented with 2 tracks per ep. his first ep features the track bienenfresser (eng. bee-eater) on the a side and blauracke (engl. blue roller) on the flip side. the bee-eater is the most colorful bird of our native lands a quality which is echoed through the piece of the same name. the composition oscillates from one color into another without losing its significant habitus. it is a musical journey through the color scheme of the bee-eater, through which dominik eulberg takes us by way of his iconic style. he succeeds at a striking balancing act between sensitive subtlety and steady pressure, in order to offer us a satisfying share of hedonism. it is a piece of music that provides an intimate listening experience, while simultaneously supplying listeners with a collective, mobilizing anthem. the long introduction of the track emulates the agile flight for prey of the dazzling bird, but then it fervently taps out the stinger of the captured bee, and finally nothing can stand in the way of the massiveness of the celebratory bass drum. intrepid, yet with a high degree of ataraxia, dominik leads us through the skies on an expedition into the colorful land of the bee-eater. the magnificent turquoise blue plumage of the blue roller glimmers green or blue, depending on the quality of light. these colors, translated into worlds of sound, are reflected in this piece of the same name. sparkling melodies intertwine gracefully along musical chains, and create a constant redefinition of the theme. the piece is inviting and catchy in the typical eulbergian manner submerging into the auditory tract and manifesting itself with much elegy in the deepest cortex. the blue roller is a sit-and-wait hunter at first occupied with idleness, until finally capturing its anticipated prey. this imperturbable serenity is felt in this piece of music and illustrates eulberg s many years of knowledge and experience. he steers his audiences through the true essence of music, while always keeping both hands firmly on the wheel.

ltd repress! dominik eulberg’s second ep on his label apus apus features the track “roter gitterling“ (eng. basket stinkhorn / red cage) on the a side and „tintenfischpilz“ (engl. octopus stinkhorn / devil s fingers) on the flip side. a. roter gitterling the fleshy red cage of this kind of mushroom reminds of a merging of an upside down shopping string bag and an alien. not allowing any objection, the track strides forward with determination towards a musical interpretation of this strange being. a fulminant kick drum counteracts in a very prosaic way the bitter-sweet pads. in a very narrative fashion the track gathers speed and flocks diverse soundscapes and disembogues in a break of harmonical expanse. conciliatory and in a hedonistic way the bass drum eventually stitches together what belongs to each other. b. tintenfischpilz this bizarre looking extraterrestrial mushroom evokes at first glance the image of a dead octopus or radioactive vegetable. as in a science fiction movie four to six tentacles sprout and raise out of a common stinkhorn and later spread into a star shape look. in an unparalleled manner this stunning progression is executed musically by eulberg with a high degree of elaboration. all done with elegant blend of continuous progression and permanent change the track wreathes itself towards heaven, whereas fragmented melody artifacts pour into the shape of a miraculous emergence.

green arrow sound fourth production soon coming... exploring the roots in a sunshine mood with a loud sub-bass for sound system and a deep peacefull nensation for the day time sets!

wrx11 comes as the more utopian follow up to the murky atmospherics of inflorescence pt1, this time brimming with intricate breakbeat acrobatics, uplifting melody and oozing bass but still with room for some icy precision creeping in at the edges.

the mystery artist or cane is the dance floor outlet of funckarma aka don & roel funcken (nl). music for the body but with an increase in cognitive focus, the mystery artist sound has the rawness and darkness of funckarma with a tilt towards techno, electro and acid. >gwane mone< sees the return of the ma after a first release on skam records, with a unique blend of heavy bass lines and offbeat electro rhythms. the a-side starts with the dark slow mood of >jinn<, a track defining the general atmosphere of the record. the pace gets picked up through >oid trazzle<, a modern electro killer with that distinct attention to detail of the funcken brothers. the b-side continues with the mental bass of >gwane mone<, a brooding subbass line accompanies an offbeat rhythm structure. the ep finishes with >ssiwsk<, a track closer to the cane sound and with a distinct intent for the underground dance floor. the gwane mone ep builds up through the four tracks and therefore works equally well as a dj-tool and as an up-tempo home listening record

all artists: cari lekebusch, e.b.e., gideon jackson, mark seven, paco pack, pauline anna strom, perpetual, persian, saoirse, seekers international, shanti celeste

irish newcomer dylan forbes joins echocentric records for a debut vinyl release full of chopped-up vocals, spacious synths and brisk sub-bass heavy rhythms. running at full pace from the onset, this one takes no prisoners.

featuring remixes from scene trailblazers such as dead man s chest, sonar s ghost, double-o, friske, au & jesta, and more. repertoire 10/20 is a broad look at underground drum and bass

essential analog acid album! includes remastered versions of dry ray and acid inhaler from the anti static ep released in 1995 on drop bass network. limited pressing of 200 copies..

sina xx with 5 proper banging collaborations for the new bodyto body label.

excellent versatile release from techno, bass , breakbeat to house , tip!!

leoparden dive into the summer with the warm, lovely space anthem hoyt oppe and the dancing synth-disco groove lopebass on the b side.

the second release of mole audio comes directly from tokyo, the emblematic reggae figure ao inoue presents us the spore o dub music represented in japan. full of bass, delays and groove.

limited edition blue & white galaxy effect vinyl double vinyl, with 1 of 3 limited bonus die-cut picture discs featuring exclusive remixes.

partout moves on its spanish series with this punchy 4 trackers of do or die.

a hazy curtain of flowers, cherry blossoms appearing from a far like a white mist. hand-stamped, 150 copies, vinyl only.

small great things is a new label from luca olivotto of endless music and its first release sees the berlin-based artist deliver an ep of modern takes on classic deep house sounds. the small great things ep kicks off with an eponymous cut with steadily unfurling pads leading to a breakdown of light, uplifting melodies while rooted to the floor with a jacking rhythm track and bottom end. sometime ibadan and b-pitch producer dos serves up a remix of -small great things- under his given name, francesco mami, where the italian producer turns in a warm but propellant version with loose, rattling rhythms and saturated stabs creating a nifty, rounded piece. on the b-side olivotto opens with -swipe out-, a gloriously detailed track that balances slick synths and gritty bass perfectly, allowing a beautiful vocal to shine through. we are treated to a stirring song on closing track -dont blame me-, where soaring detroit influenced synth pads and staccato melodies combine to create the perfect foil to the vocals. named to celebrate the little things in life, small great things is a label to firmly keep an eye on.

remastered by dat

berlin-based artist tmplt starts his own label tmplt records with a double longplayer-album named -the verge- tmplt001. inspired by uk bass, tmplt creates 12 unique tracks with dark and massive bassline -impacts. -the verge- is a musical journey through various genres such as drum n bass, breakbeat, dub techno away from the typical 4-to-the-floor rhythm.

ltd warehouse found! that s the name of the newly founded label of chris gruber and tim eder. the first record -soundbowl ep- will be released, where the artist fossar presents four new productions. musically, we go into the groovy-warm realms of the oldschool deep house. fossar s sound remains true to proven minimalism: crisp snares, clanking hihats, voluminous bass, melancholy-wafting surfaces and snappy vocals. the ep -soundbowl- stands for subtly driving grooves that hug the listener on the dance floor.

die urgesteine teilen aus

der niederländischen künstlers wibo lammerts aka w1b0 ist bekannt für seine killer-tracks die auf labels wie bass agenda, blind allies oder hilltown disco veröffentlicht wurden.